- Hailey Ackinclose – Nice Coloured Girls
- Hannah Thomson – Do You See What I See?
- ANON – When You Are In The Sea: Where Can You Hide?
- Arianne Pugsley Villard – Beauty: Beyond Binary
- Zoe Ryde-Kruse – The Two Lives of Li Ermao
- Paige McLachlan – Lions in the Corner
- Brian Levesque – Nodas. Launeddas at the Time of Crisis
- Caitlyn Dubé – High Steel
- Callum Masterton – Carts of Darkness
- Rachel Hooton – Born into Brothels
- Nicola Champoux – The True Cost
- Jaimie Reynolds – The Gray Area
- Capri Mayes – View of Tokyo Pengyou
- Michael Ghazarian – Carts of Darkness
- Robyn Russell – Kava Rootz
- Emily Lehmann – Underground: A Filmic Exploration of “Migrant Illegality” in Copenhagen
- Maddie Close – No Crying at The Dinner Table Review
- Pam McIsaac – Grabbing Dignity Review
- Christien Chubak – We Must Be Dreaming
- Bronwen Cranny – Make a Silence: Musical Dialogues in Asia Review
- Lynn Sagar – Dirty Girls Review
- Tessa Richtsfeld – In the Space Between Ages Review
- Ingrid Hansen – Unless the Water is Safer Than the Land Review
- Anonymous – Speaking is Difficult Review
- Anonymous – Paɣiba Salma | Women’s Gold Review
- Megan Houghton – Three Thousand Review
- Alina Tork – Lowland Kids Review: the Last Teens on a Vanishing Island
- Brogan Simpson – Where You Are in The Sea: where can you hide? Review
- Kayla Seto – In The Absence Review
- Marcel Petruzzelli – Baraka Review
- Gabrielle Lucier – Because We Are Girls Review
- Robert Kennedy – Review of Between: Living in the Hyphen
Film reviews for anthropology passionates 